After a few days off we're back at the theater tonight for a quick rehearsal. Speed through, really, just to get our brains back into show gear. I've had a bit of a rough week. My back has decided it wants to do nothing but hurt, so I've been unable to enjoy the new incredible weather we're having. My chiropractor and I are getting to know each other very well lately.
To our surprise, there was not one, but two reviews in local papers. One took a couple pages of space. Both were very good for the show, extremely positive when it comes to reviews. Of course one paper got my name completely wrong which caused plenty of hilarity among the cast and means precisely less than nothing to me. The day I'm walking through the supermarket and someone calls me the wrong name because of a local newspaper's coverage of local theater...let's just say I don't see it in the near future.
The level of our shock was because one of these papers has gone to the trouble of letting everyone know that they don't DO that anymore. Whoever pulled whatever strings needed to be pulled, thanks. Reservations are coming in faster than our producer can write them.
I'm feeling really good about tomorrow. Don't let the vault fall now.
In other news:
I've finally gone and done it. I started watching
Lost. (I refuse to link this because if you don't know what Lost is, then you sure as hell don't have the savvy to get here.) I like it. I'm neither as ravenous as die hard fans nor as angry as critics are. I'm well into the second season and find the twists not too hard to follow. Generally I like it because the production value is high, the acting is pretty damn good for
tv, the directors seem to have it right, and the writing is
aaaaalllllmost good. For the most part I like the writing but don't like when writers add twists without seeing where those twists go. I can see them writing themselves into a corner. I can only suspect time travel will solve these issues. (No, I'm not that savvy, I was given the hint time travel
might happen.) The character writing is usually
brilliant or totally ridiculous, but I can live with it.
I saw
Street Kings recently. You should see it. It wasn't well liked in the critics' circle but I enjoyed it. The director had written the two movies I thought it was very similar to;
Dark Blue and
Training Day; and I think he upped the game. Finally he left out the sparkling clean new cop who wrestles with corruption. I've always had issues with white knights, and I'm glad that everyone here has a little mud on them. I can imagine that being a cop in one of the toughest areas of a large city removes some of your ability to think in absolutes, and this movie doesn't try to convince you otherwise.
The main reason to watch this movies is
Keanu Reeves. He got back into my good graces a while ago, and I've staunchly defended him to anyone who challenges his talent. Most leading men in today's Hollywood are relative one-notes. They can change it up a bit for each movie, but they take a spine for their character and keep ramrod straight to it. They'll go deep down that path but never really stray too far from it. It's
ok, that's how most of these parts are written anyway. I had always felt this true of
Keanu. He had one good note: "Whoa." It worked in quite a few movies. Bill & Ted (natch), Point Break, The Devil's Advocate, The Matrix was perfect for him.
Neo is a character who lives in a state of constant discovery, most of those being mind-bending. With Street Kings he accomplished two things:
1)He doesn't look like a boy anymore.
2)He never reminded me of any other character he'd already done.
He's quite dark in this movie, and his path to redemption, well, I don't want to ruin it for you. Let's just say it's nice to see him be an asshole for once.